89 bars of 4/4 at 122 BPM, about 2:55 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 10-12, 14-20 and 46-48, and 1 more place -- 26.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 10 times: bars 13, 21, 49, 57, 61, 62 and 4 more.
89 bars across 15 sections: 58 keep time, 10 are fills, 1 is a stop and 14 are silent. The longest unbroken stretch of time is bars 14-20.
122 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 56 out of 100; the rest of the number is everything around it.
89 bars, about 2:55 at the written tempo. The course breaks it into 23 exercises over 6 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 10 times: bars 13, 21, 49, 57, 61, 62 and 4 more.