83 bars of 4/4 at 115 BPM, about 2:53 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 58-64 and 74-81 -- 20.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 7 times: bars 9, 32, 33, 56, 65, 69 and 1 more.
1 more fill is written out on the fills page.
83 bars across 11 sections: 39 keep time, 7 are fills, 17 are stops and 9 are silent. The longest unbroken stretch of time is bars 75-81.
115 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
83 bars, about 2:53 at the written tempo. The course breaks it into 26 exercises over 8 sittings, about 24 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 7 times: bars 9, 32, 33, 56, 65, 69 and 1 more.