136 bars of 4/4 at 150 BPM, about 3:38 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 33-35, 37 and 45, and 8 more places -- 14.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
18 fills to learn, played 44 times: bars 12, 16, 20, 24, 28, 36 and 38 more.
14 more fills are written out on the fills page.
136 bars across 19 sections: 56 keep time, 44 are fills, 6 are stops and 8 are silent. The longest unbroken stretch of time is bars 70-75.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
136 bars, about 3:38 at the written tempo. The course breaks it into 55 exercises over 15 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 44 times: bars 12, 16, 20, 24, 28, 36 and 38 more.