100 bars of 4/4 at a walking 77 BPM, 5:10 of playing, on crash, hi-hat, snare, mid tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 10-12, 14-16 and 30-37, and 1 more place -- 28.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 9 times: bars 9, 13, 17, 29, 49, 68 and 3 more.
100 bars across 12 sections: 59 keep time, 9 are fills, 2 are stops and 24 are silent. The longest unbroken stretch of time is bars 87-99.
77 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
39 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 27 out of 100; the rest of the number is everything around it.
100 bars, about 5:10 at the written tempo. The course breaks it into 22 exercises over 5 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 9 times: bars 9, 13, 17, 29, 49, 68 and 3 more.