83 bars of 4/4 at a walking 77 BPM, 4:19 of playing, on crash, ride, hi-hat, snare, high tom, mid tom and kick.
The beat the song is built on is one bar, played through bars 22-24, 26-27 and 30-32, and 3 more places -- 19% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 31 times: bars 17, 18, 19, 20, 21, 25 and 25 more.
6 more fills are written out on the fills page.
83 bars across 11 sections: 42 keep time, 31 are fills and 4 are silent. The longest unbroken stretch of time is bars 6-16.
77 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
83 bars, about 4:19 at the written tempo. The course breaks it into 31 exercises over 9 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 31 times: bars 17, 18, 19, 20, 21, 25 and 25 more.