84 bars of 4/4 at a walking 93 BPM, 3:37 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 13-19 and 49 -- 10.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 22 times: bars 23, 25, 27, 43, 45, 47 and 16 more.
5 more fills are written out on the fills page.
84 bars across 16 sections: 36 keep time, 22 are fills, 4 are stops and 8 are silent. The longest unbroken stretch of time is bars 5-11.
93 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 59 out of 100; the rest of the number is everything around it.
84 bars, about 3:37 at the written tempo. The course breaks it into 40 exercises over 11 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 22 times: bars 23, 25, 27, 43, 45, 47 and 16 more.