56 bars of 4/4 at a walking 98 BPM, 2:17 of playing, on crash, ride, hi-hat, snare, high tom, mid tom and kick.
The beat the song is built on is one bar, played through bars 20-25, 27 and 32-33, and 2 more places -- 29.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
8 fills to learn, played 16 times: bars 6, 12, 14, 16, 18, 34 and 10 more.
4 more fills are written out on the fills page.
56 bars across 6 sections: 22 keep time, 19 are fills, 9 are stops and 1 is silent. The longest unbroken stretch of time is bars 21-27.
98 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in how fine the subdivision is. The beat itself is 48 out of 100; the rest of the number is everything around it.
56 bars, about 2:17 at the written tempo. The course breaks it into 21 exercises over 6 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 16 times: bars 6, 12, 14, 16, 18, 34 and 10 more.