84 bars of 4/4 at 110 BPM, about 2:51 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 6-8, 10-11 and 14-16, and 7 more places -- 23.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 10 times: bars 4, 5, 13, 29, 37, 45 and 4 more.
3 more fills are written out on the fills page.
84 bars across 8 sections: 51 keep time, 10 are fills, 11 are stops and 3 are silent. The longest unbroken stretch of time is bars 55-67.
110 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
84 bars, about 2:51 at the written tempo. The course breaks it into 31 exercises over 8 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 10 times: bars 4, 5, 13, 29, 37, 45 and 4 more.