100 bars of 4/4 at a walking 78 BPM, 5:08 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 5, 8-12 and 23-24, and 7 more places -- 21.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 3 times: bars 13, 66 and 68.
100 bars across 10 sections: 75 keep time, 3 are fills, 8 are stops and 5 are silent. The longest unbroken stretch of time is bars 19-34.
78 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
25 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 1 out of 100; the rest of the number is everything around it.
100 bars, about 5:08 at the written tempo. The course breaks it into 30 exercises over 7 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 3 times: bars 13, 66 and 68.