239 bars of 4/4 at 111 BPM, about 8:37 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 13-14, 17 and 21, and 19 more places -- 13.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 17 times: bars 14, 18, 22, 30, 50, 58 and 11 more.
5 more fills are written out on the fills page.
239 bars across 19 sections: 178 keep time, 18 are fills and 11 are stops. The longest unbroken stretch of time is bars 205-233.
111 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in how fine the subdivision is. The beat itself is 48 out of 100; the rest of the number is everything around it.
239 bars, about 8:37 at the written tempo. The course breaks it into 69 exercises over 21 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 17 times: bars 14, 18, 22, 30, 50, 58 and 11 more.