92 bars of 6/4 -- not four -- at 100 BPM, 5:22 of playing on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 23, 25 and 27, and 6 more places -- 13.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 19 times: bars 11, 12, 13, 22, 24, 26 and 13 more.
7 more fills are written out on the fills page.
92 bars across 8 sections: 31 keep time, 19 are fills, 9 are stops and 27 are silent. The longest unbroken stretch of time is bars 1-10.
100 BPM, in 6/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
92 bars, about 5:22 at the written tempo. The course breaks it into 32 exercises over 9 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 19 times: bars 11, 12, 13, 22, 24, 26 and 13 more.