161 bars at 165 BPM -- fast, and 3:50 of it without a break -- on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 129-160 -- 21.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 10 times: bars 16, 24, 32, 48, 56, 64 and 4 more.
161 bars across 10 sections: 123 keep time, 10 are fills, 3 are stops and 13 are silent. The longest unbroken stretch of time is bars 130-160.
165 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
161 bars, about 3:50 at the written tempo. The course breaks it into 35 exercises over 10 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 10 times: bars 16, 24, 32, 48, 56, 64 and 4 more.