137 bars at 160 BPM -- fast, and 3:26 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 9, 11 and 13, and 21 more places -- 18% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 23 times: bars 8, 16, 24, 32, 36, 40 and 17 more.
5 more fills are written out on the fills page.
137 bars across 15 sections: 89 keep time, 23 are fills, 3 are stops and 4 are silent. The longest unbroken stretch of time is bars 93-104.
160 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
137 bars, about 3:26 at the written tempo. The course breaks it into 40 exercises over 10 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 23 times: bars 8, 16, 24, 32, 36, 40 and 17 more.