86 bars of 6/4 -- not four -- at 130 BPM, 3:33 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 27-33 and 39-45 -- 14.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 10 times: bars 1, 26, 38, 46, 47, 56 and 4 more.
3 more fills are written out on the fills page.
128 bars across 10 sections: 52 keep time, 10 are fills, 25 are stops and 33 are silent. The longest unbroken stretch of time is bars 27-33.
130 BPM, in 6/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 45 out of 100; the rest of the number is everything around it.
86 bars, about 3:33 at the written tempo. The course breaks it into 36 exercises over 11 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 10 times: bars 1, 26, 38, 46, 47, 56 and 4 more.