425 bars of 4/4 at a walking 79 BPM, 20:05 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 113-144, 149-196 and 201-216 -- 22.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 14 times: bars 112, 217, 218, 310, 342, 373 and 8 more.
4 more fills are written out on the fills page.
453 bars across 21 sections: 372 keep time, 14 are fills, 22 are stops and 25 are silent. The longest unbroken stretch of time is bars 1-56.
79 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 54 out of 100; the rest of the number is everything around it.
425 bars, about 20:05 at the written tempo. The course breaks it into 64 exercises over 20 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 14 times: bars 112, 217, 218, 310, 342, 373 and 8 more.