128 bars, 9:01, at 59 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 76-91, 96-110 and 112-123 -- 36.1% of every bar the kit plays. Learn that one and most of the song is already under your hands.
2 fills to learn, played 5 times: bars 38, 39, 74, 75 and 111.
132 bars across 10 sections: 77 keep time, 5 are fills, 30 are stops and 13 are silent. The longest unbroken stretch of time is bars 46-62.
59 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 20 out of 100; the rest of the number is everything around it.
128 bars, about 9:01 at the written tempo. The course breaks it into 31 exercises over 10 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 5 times: bars 38, 39, 74, 75 and 111.