121 bars of 4/4 at 114 BPM, about 4:15 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 7, 12 and 17, and 25 more places -- 24.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 25 times: bars 11, 16, 21, 23, 35, 36 and 19 more.
2 more fills are written out on the fills page.
121 bars across 4 sections: 87 keep time, 25 are fills and 6 are silent. The longest unbroken stretch of time is bars 24-34.
114 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
121 bars, about 4:15 at the written tempo. The course breaks it into 21 exercises over 7 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 25 times: bars 11, 16, 21, 23, 35, 36 and 19 more.