73 bars of 4/4 at 150 BPM, about 1:47 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 42-48 and 73-78 -- 16.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 7 times: bars 8, 10, 12, 14, 16, 28 and 1 more.
2 more fills are written out on the fills page.
79 bars across 8 sections: 42 keep time, 7 are fills, 22 are stops and 2 are silent. The longest unbroken stretch of time is bars 2-7.
150 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
70 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 69 out of 100; the rest of the number is everything around it.
73 bars, about 1:47 at the written tempo. The course breaks it into 30 exercises over 11 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 7 times: bars 8, 10, 12, 14, 16, 28 and 1 more.