104 bars at 165 BPM -- fast, and 2:41 of it without a break -- on crash, ride, hi-hat, snare, floor tom and kick.
The beat the song is built on is one bar, played through bars 48-50, 52-54 and 56-58, and 5 more places -- 24.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 4 times: bars 39, 47, 71 and 88.
104 bars across 10 sections: 67 keep time, 4 are fills, 19 are stops and 6 are silent. The longest unbroken stretch of time is bars 90-99.
165 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
104 bars, about 2:41 at the written tempo. The course breaks it into 27 exercises over 7 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 4 times: bars 39, 47, 71 and 88.