95 bars of 4/4 at 126 BPM, about 3:00 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 9-16, 29-31 and 40-47 -- 22.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 8 times: bars 18, 28, 49, 59, 75, 79 and 2 more.
1 more fill is written out on the fills page.
95 bars across 11 sections: 63 keep time, 9 are fills, 5 are stops and 11 are silent. The longest unbroken stretch of time is bars 37-47.
126 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
95 bars, about 3:00 at the written tempo. The course breaks it into 27 exercises over 8 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 8 times: bars 18, 28, 49, 59, 75, 79 and 2 more.