166 bars of 4/4 at 126 BPM, about 5:11 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 21-26, 57-62 and 73, and 13 more places -- 21.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 9 times: bars 5, 11, 27, 28, 41, 47 and 3 more.
166 bars across 14 sections: 115 keep time, 10 are fills, 5 are stops and 16 are silent. The longest unbroken stretch of time is bars 65-96.
126 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
65 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 47 out of 100; the rest of the number is everything around it.
166 bars, about 5:11 at the written tempo. The course breaks it into 46 exercises over 18 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 9 times: bars 5, 11, 27, 28, 41, 47 and 3 more.