218 bars of 4/4 at a walking 100 BPM, 8:43 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 25-27, 29-31 and 33-35, and 11 more places -- 20.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 33 times: bars 24, 28, 48, 52, 60, 63 and 27 more.
6 more fills are written out on the fills page.
218 bars across 14 sections: 154 keep time, 33 are fills and 16 are silent. The longest unbroken stretch of time is bars 29-47.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
218 bars, about 8:43 at the written tempo. The course breaks it into 48 exercises over 13 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 33 times: bars 24, 28, 48, 52, 60, 63 and 27 more.