125 bars at 158 BPM -- fast, and 3:10 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 9-16, 21-28 and 57-64, and 1 more place -- 22.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 27 times: bars 32, 36, 39, 40, 44, 47 and 21 more.
3 more fills are written out on the fills page.
125 bars across 9 sections: 84 keep time, 27 are fills and 1 is a stop. The longest unbroken stretch of time is bars 10-31.
158 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 45 out of 100; the rest of the number is everything around it.
125 bars, about 3:10 at the written tempo. The course breaks it into 32 exercises over 10 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 27 times: bars 32, 36, 39, 40, 44, 47 and 21 more.