264 bars of 4/4 at 120 BPM, about 8:48 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 33, 35 and 37, and 31 more places -- 14.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
19 fills to learn, played 58 times: bars 19, 24, 31, 69, 70, 71 and 52 more.
15 more fills are written out on the fills page.
264 bars across 18 sections: 155 keep time, 58 are fills, 29 are stops and 2 are silent. The longest unbroken stretch of time is bars 146-156.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 18 out of 100; the rest of the number is everything around it.
264 bars, about 8:48 at the written tempo. The course breaks it into 77 exercises over 23 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
19 fills to learn, played 58 times: bars 19, 24, 31, 69, 70, 71 and 52 more.