169 bars of 4/4 at a walking 100 BPM, 6:42 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 12-14, 16-19 and 22-26, and 2 more places -- 14% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 35 times: bars 1, 5, 10, 11, 15, 20 and 29 more.
13 more fills are written out on the fills page.
178 bars across 23 sections: 87 keep time, 35 are fills, 6 are stops and 35 are silent. The longest unbroken stretch of time is bars 154-162.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
169 bars, about 6:42 at the written tempo. The course breaks it into 69 exercises over 22 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 35 times: bars 1, 5, 10, 11, 15, 20 and 29 more.