132 bars at 175 BPM -- fast, and 3:01 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 36, 77-92 and 116 -- 14.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 52 times: bars 2, 3, 4, 10, 11, 12 and 46 more.
10 more fills are written out on the fills page.
132 bars across 16 sections: 54 keep time, 52 are fills, 1 is a stop and 11 are silent. The longest unbroken stretch of time is bars 78-92.
175 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 46 out of 100; the rest of the number is everything around it.
132 bars, about 3:01 at the written tempo. The course breaks it into 48 exercises over 14 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 52 times: bars 2, 3, 4, 10, 11, 12 and 46 more.