148 bars of 3/4 -- not four -- at 119 BPM, 4:05 of playing on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 51-53, 105 and 110, and 9 more places -- 10.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 44 times: bars 2, 6, 8, 9, 10, 11 and 38 more.
8 more fills are written out on the fills page.
148 bars across 17 sections: 53 keep time, 44 are fills, 27 are stops and 13 are silent. The longest unbroken stretch of time is bars 89-96.
119 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
65 out of 100: demanding, mostly on how often it moves around the kit. The beat itself is 40 out of 100; the rest of the number is everything around it.
148 bars, about 4:05 at the written tempo. The course breaks it into 43 exercises over 13 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 44 times: bars 2, 6, 8, 9, 10, 11 and 38 more.