144 bars at 160 BPM -- fast, and 3:35 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 27, 29 and 31, and 4 more places -- 16.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
2 fills to learn, played 3 times: bars 91, 92 and 144.
144 bars across 19 sections: 80 keep time, 3 are fills, 3 are stops and 42 are silent. The longest unbroken stretch of time is bars 26-41.
160 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 70 out of 100; the rest of the number is everything around it.
144 bars, about 3:35 at the written tempo. The course breaks it into 45 exercises over 18 sittings, about 24 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 3 times: bars 91, 92 and 144.