59 bars of 4/4 at a walking 82 BPM, 2:53 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 23, 25-27 and 29-31, and 5 more places -- 29.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 16 times: bars 6, 8, 9, 10, 11, 12 and 10 more.
3 more fills are written out on the fills page.
59 bars across 6 sections: 31 keep time, 16 are fills, 2 are stops and 4 are silent. The longest unbroken stretch of time is bars 16-21.
82 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 32 out of 100; the rest of the number is everything around it.
59 bars, about 2:53 at the written tempo. The course breaks it into 22 exercises over 8 sittings, about 22 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 16 times: bars 6, 8, 9, 10, 11, 12 and 10 more.