123 bars of 4/4 at 151 BPM, about 3:15 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 5, 7 and 9, and 19 more places -- 24.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 17 times: bars 29, 30, 31, 32, 40, 65 and 11 more.
3 more fills are written out on the fills page.
123 bars across 18 sections: 72 keep time, 17 are fills, 16 are stops and 7 are silent. The longest unbroken stretch of time is bars 19-28.
151 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 30 out of 100; the rest of the number is everything around it.
123 bars, about 3:15 at the written tempo. The course breaks it into 37 exercises over 10 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 17 times: bars 29, 30, 31, 32, 40, 65 and 11 more.