468 bars of 4/4 at a walking 85 BPM, 21:55 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 52-54, 56 and 60-62, and 25 more places -- 9.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
34 fills to learn, played 83 times: bars 7, 11, 13, 15, 17, 19 and 77 more.
30 more fills are written out on the fills page.
468 bars across 39 sections: 291 keep time, 83 are fills, 38 are stops and 14 are silent. The longest unbroken stretch of time is bars 294-322.
85 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 65 out of 100; the rest of the number is everything around it.
468 bars, about 21:55 at the written tempo. The course breaks it into 129 exercises over 40 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
34 fills to learn, played 83 times: bars 7, 11, 13, 15, 17, 19 and 77 more.