360 bars of 4/4 at a walking 80 BPM, 17:42 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 265-267, 271-272 and 279-286, and 8 more places -- 8.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
36 fills to learn, played 79 times: bars 3, 10, 11, 12, 13, 14 and 73 more.
32 more fills are written out on the fills page.
360 bars across 38 sections: 191 keep time, 82 are fills, 41 are stops and 6 are silent. The longest unbroken stretch of time is bars 219-227.
80 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
69 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 74 out of 100; the rest of the number is everything around it.
360 bars, about 17:42 at the written tempo. The course breaks it into 130 exercises over 42 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
36 fills to learn, played 79 times: bars 3, 10, 11, 12, 13, 14 and 73 more.