121 bars of 4/4 at a walking 82 BPM, 5:54 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 3-4, 7-8 and 11-12, and 6 more places -- 14.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 20 times: bars 32, 41, 42, 44, 45, 46 and 14 more.
3 more fills are written out on the fills page.
121 bars across 8 sections: 86 keep time, 20 are fills and 3 are stops. The longest unbroken stretch of time is bars 1-25.
82 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
68 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
121 bars, about 5:54 at the written tempo. The course breaks it into 33 exercises over 11 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 20 times: bars 32, 41, 42, 44, 45, 46 and 14 more.