145 bars at 170 BPM -- fast, and 3:25 of it without a break -- on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 17-19, 21-22 and 49, and 2 more places -- 8.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 16 times: bars 10, 11, 12, 14, 15, 16 and 10 more.
1 more fill is written out on the fills page.
145 bars across 9 sections: 39 keep time, 16 are fills, 73 are stops and 9 are silent. The longest unbroken stretch of time is bars 98-110.
170 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 46 out of 100; the rest of the number is everything around it.
145 bars, about 3:25 at the written tempo. The course breaks it into 29 exercises over 8 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 16 times: bars 10, 11, 12, 14, 15, 16 and 10 more.