113 bars of 4/4 at 111 BPM, about 4:22 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 37-39, 41-43 and 74-76 -- 9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 11 times: bars 3, 4, 8, 20, 24, 25 and 5 more.
4 more fills are written out on the fills page.
118 bars across 18 sections: 56 keep time, 11 are fills, 17 are stops and 18 are silent. The longest unbroken stretch of time is bars 30-38.
111 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
73 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 95 out of 100; the rest of the number is everything around it.
113 bars, about 4:22 at the written tempo. The course breaks it into 54 exercises over 17 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 11 times: bars 3, 4, 8, 20, 24, 25 and 5 more.