128 bars of 4/4 at a walking 96 BPM, 6:08 of playing, on crash, ride, hi-hat, snare and kick.
The beat the song is built on is one bar, played through bars 72-73, 75 and 77, and 14 more places -- 22.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
2 fills to learn, played 4 times: bars 20, 38, 47 and 48.
128 bars across 10 sections: 74 keep time, 4 are fills, 7 are stops and 38 are silent. The longest unbroken stretch of time is bars 71-101.
96 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 30 out of 100; the rest of the number is everything around it.
128 bars, about 6:08 at the written tempo. The course breaks it into 24 exercises over 7 sittings, about 26 minutes each.
crash, ride, hi-hat, snare and kick. Nothing in the part asks for anything else.
2 fills to learn, played 4 times: bars 20, 38, 47 and 48.