125 bars of 4/4 at 129 BPM, about 3:52 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 45, 47 and 49, and 17 more places -- 20.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 20 times: bars 50, 76, 77, 78, 85, 86 and 14 more.
4 more fills are written out on the fills page.
125 bars across 11 sections: 80 keep time, 20 are fills, 8 are stops and 4 are silent. The longest unbroken stretch of time is bars 5-29.
129 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 30 out of 100; the rest of the number is everything around it.
125 bars, about 3:52 at the written tempo. The course breaks it into 39 exercises over 12 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 20 times: bars 50, 76, 77, 78, 85, 86 and 14 more.