125 bars of 4/4 at 127 BPM, about 3:56 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 45, 47 and 49, and 15 more places -- 22.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 12 times: bars 50, 76, 78, 88, 90, 94 and 6 more.
125 bars across 11 sections: 90 keep time, 12 are fills, 8 are stops and 4 are silent. The longest unbroken stretch of time is bars 5-21.
127 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
125 bars, about 3:56 at the written tempo. The course breaks it into 32 exercises over 10 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 12 times: bars 50, 76, 78, 88, 90, 94 and 6 more.