134 bars of 4/4 at a walking 91 BPM, 5:53 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 79-99, 103-104 and 108, and 6 more places -- 24.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 11 times: bars 10, 18, 22, 40, 48, 52 and 5 more.
134 bars across 8 sections: 99 keep time, 11 are fills, 15 are stops and 2 are silent. The longest unbroken stretch of time is bars 120-133.
91 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
134 bars, about 5:53 at the written tempo. The course breaks it into 24 exercises over 7 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 11 times: bars 10, 18, 22, 40, 48, 52 and 5 more.