100 bars of 4/4 at 126 BPM, about 3:10 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 31-32, 56 and 64-65, and 3 more places -- 13.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 20 times: bars 5, 6, 7, 8, 20, 26 and 14 more.
2 more fills are written out on the fills page.
100 bars across 13 sections: 57 keep time, 20 are fills, 4 are stops and 4 are silent. The longest unbroken stretch of time is bars 34-40.
126 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
68 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 27 out of 100; the rest of the number is everything around it.
100 bars, about 3:10 at the written tempo. The course breaks it into 39 exercises over 13 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 20 times: bars 5, 6, 7, 8, 20, 26 and 14 more.