138 bars at 180 BPM -- fast, and 3:04 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 5-7, 9-19 and 35, and 4 more places -- 21.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 16 times: bars 3, 4, 8, 40, 44, 48 and 10 more.
6 more fills are written out on the fills page.
138 bars across 14 sections: 85 keep time, 16 are fills, 16 are stops and 5 are silent. The longest unbroken stretch of time is bars 22-35.
180 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
138 bars, about 3:04 at the written tempo. The course breaks it into 44 exercises over 13 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 16 times: bars 3, 4, 8, 40, 44, 48 and 10 more.