184 bars, 9:49, at 75 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 36-42, 64-66 and 72-74, and 6 more places -- 13.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 35 times: bars 20, 21, 22, 23, 24, 29 and 29 more.
9 more fills are written out on the fills page.
184 bars across 17 sections: 101 keep time, 35 are fills, 22 are stops and 8 are silent. The longest unbroken stretch of time is bars 120-128.
75 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
184 bars, about 9:49 at the written tempo. The course breaks it into 63 exercises over 18 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 35 times: bars 20, 21, 22, 23, 24, 29 and 29 more.