119 bars of 4/4 at a walking 96 BPM, 4:54 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 6-10, 12-18 and 20-26, and 7 more places -- 33.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6 fills to learn, played 9 times: bars 27, 35, 39, 51, 59, 79 and 3 more.
2 more fills are written out on the fills page.
119 bars across 14 sections: 86 keep time, 9 are fills, 3 are stops and 3 are silent. The longest unbroken stretch of time is bars 4-26.
96 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
119 bars, about 4:54 at the written tempo. The course breaks it into 34 exercises over 12 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 9 times: bars 27, 35, 39, 51, 59, 79 and 3 more.