167 bars of 4/4 at a walking 109 BPM, 5:54 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 38, 40 and 42, and 19 more places -- 16.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
18 fills to learn, played 51 times: bars 4, 5, 6, 7, 8, 12 and 45 more.
14 more fills are written out on the fills page.
167 bars across 11 sections: 64 keep time, 51 are fills, 13 are stops and 34 are silent. The longest unbroken stretch of time is bars 53-68.
109 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in how fine the subdivision is. The beat itself is 43 out of 100; the rest of the number is everything around it.
167 bars, about 5:54 at the written tempo. The course breaks it into 42 exercises over 14 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 51 times: bars 4, 5, 6, 7, 8, 12 and 45 more.