110 bars of 4/4 at a walking 88 BPM, 5:01 of playing, on crash, hi-hat, snare and kick.
The beat the song is built on is one bar, played through bars 10-12, 14-16 and 18-20, and 5 more places -- 24.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 6 times: bars 29, 43, 44, 45, 69 and 109.
110 bars across 10 sections: 73 keep time, 6 are fills, 6 are stops and 16 are silent. The longest unbroken stretch of time is bars 55-67.
88 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 15 out of 100; the rest of the number is everything around it.
110 bars, about 5:01 at the written tempo. The course breaks it into 29 exercises over 10 sittings, about 24 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.
3 fills to learn, played 6 times: bars 29, 43, 44, 45, 69 and 109.