87 bars of 4/4 at 130 BPM, about 2:41 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 25-31 and 57-63 -- 16.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 30 times: bars 20, 21, 22, 23, 24, 33 and 24 more.
8 more fills are written out on the fills page.
87 bars across 9 sections: 37 keep time, 30 are fills, 12 are stops and 4 are silent. The longest unbroken stretch of time is bars 4-12.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 13 out of 100; the rest of the number is everything around it.
87 bars, about 2:41 at the written tempo. The course breaks it into 35 exercises over 9 sittings, about 28 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 30 times: bars 20, 21, 22, 23, 24, 33 and 24 more.