121 bars of 4/4 at 150 BPM, about 3:14 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 6-12, 42-48 and 70, and 8 more places -- 26.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
8 fills to learn, played 13 times: bars 21, 23, 25, 27, 29, 35 and 7 more.
4 more fills are written out on the fills page.
121 bars across 13 sections: 57 keep time, 13 are fills, 21 are stops and 12 are silent. The longest unbroken stretch of time is bars 69-76.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
121 bars, about 3:14 at the written tempo. The course breaks it into 38 exercises over 11 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 13 times: bars 21, 23, 25, 27, 29, 35 and 7 more.