92 bars of 4/4 at 122 BPM, about 3:00 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 28-34, 65-71 and 85, and 1 more place -- 23.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 15 times: bars 11, 13, 19, 24, 25, 26 and 9 more.
4 more fills are written out on the fills page.
92 bars across 14 sections: 39 keep time, 15 are fills, 20 are stops and 7 are silent. The longest unbroken stretch of time is bars 3-10.
122 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
78 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 18 out of 100; the rest of the number is everything around it.
92 bars, about 3:00 at the written tempo. The course breaks it into 39 exercises over 12 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 15 times: bars 11, 13, 19, 24, 25, 26 and 9 more.