97 bars of 4/4 at a walking 78 BPM, 4:56 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 28, 52 and 62-64, and 5 more places -- 14.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 23 times: bars 5, 9, 21, 24, 25, 33 and 17 more.
11 more fills are written out on the fills page.
97 bars across 11 sections: 53 keep time, 23 are fills, 2 are stops and 6 are silent. The longest unbroken stretch of time is bars 34-40.
78 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
71 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 61 out of 100; the rest of the number is everything around it.
97 bars, about 4:56 at the written tempo. The course breaks it into 48 exercises over 16 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 23 times: bars 5, 9, 21, 24, 25, 33 and 17 more.