125 bars of 6/4 -- not four -- at 160 BPM, 4:41 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 23-24, 27-28 and 36-39, and 3 more places -- 20.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 20 times: bars 17, 18, 20, 22, 25, 29 and 14 more.
2 more fills are written out on the fills page.
125 bars across 18 sections: 38 keep time, 20 are fills, 9 are stops and 46 are silent. The longest unbroken stretch of time is bars 3-8.
160 BPM, in 6/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
67 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 55 out of 100; the rest of the number is everything around it.
125 bars, about 4:41 at the written tempo. The course breaks it into 28 exercises over 9 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 20 times: bars 17, 18, 20, 22, 25, 29 and 14 more.